Why are we still surprised when "non-fiction" is less than truthful?
University of Nebraska PressThe old model of publishing non-fiction, borrowed largely
from academia, promised a straightforward result. You picked up an academic
journal to find the latest word on French tax farming in the 18th century. You
knew that what you were getting was tried, tested, vetted, and replicated, at
least as much as was humanly possible. You thought of the author as laying
small bricks for subsequent scientific advances. But this model of knowledge
accretion never had the accuracy it pretended to. If I had to guess whether
Wikipedia or the median refereed journal article on economics was more likely
to be true, after a not so long think I would opt for Wikipedia. This
comparison should give us pause.
The issues of trust and accuracy have come to the fore
lately with the “revelation” that a number of published autobiographies are little
more than fiction. Most notably, Margaret B. Jones’s acclaimed new memoir Love and Consequences was discovered
to be fraudulent; a week before that, Misha Defonseca’s European bestseller Misha: A Mémoire of the Holocaust Years,
first published in 1997, was admitted
to be a fabrication. Ms. Defonseca had told tales about running from the Nazis,
living with wolves (really), and searching for her deported parents across Europe. Last month the author confessed that most of the
story, including her identity, was simply made up.
Let’s examine the Defonseca case. The only news here is the
belief that the falsity of this story is in fact news. A quick look at Amazon.com shows that the first book
review--dated 2001--charges the following: “Uplifting
and entertaining though this story may be, it is impossible to tell how much of
it is true. Let's face it, no one has ever been brought up by wolves, beautiful
idea though it is. I would love to believe that wolves would take care of
children, bring them up and feed them, but they don't.” As of early March 2008,
48 out of 61 people found that review to be helpful, yet only now is the
fabrication a story for the mainstream media. On the academic side, doubts were raised about the book’s
veracity by potential blurbers even before it was published.
The earliest Wikipedia article I
can find on Defonseca comes on French Wikipedia, on February 29, 2008; by the
end of that day, one of the revisers noted that the story is false. (By the way,
the longer Wikipedia page on literary hoaxes is impressive; see it here.) That
the mainstream media did not challenge the original story reflects one of the
most important and most pernicious biases of print media and TV. If something
isn’t reported, people assume it either didn’t happen or isn’t important. Since
just about everything is reported on the web--whether it is true or false--issues
of verification become more important than issues of omission. On the positive
side, we’re less likely to take a lot of claims for granted.