Skip Navigation
The New Republic
The New Republic
  • LATEST
  • BREAKING NEWS
  • POLITICS
  • CULTURE
  • MAGAZINE
  • THE TNR BLUE BOOK
  • PODCASTS
  • VIDEO
Culture Homepage
  • Books
  • Film
  • Television
  • Poetry
The New Republic
The New Republic
  • LATEST
  • BREAKING NEWS
  • POLITICS
  • CULTURE
  • MAGAZINE
  • THE TNR BLUE BOOK
  • PODCASTS
  • VIDEO
Culture Homepage
  • Books
  • Film
  • Television
  • Poetry
Dolly Parton in a scene from the movie “9 to 5” in 1980
Ellen Cassedy
Dolly Parton’s Fight for Working Women
In the 1970s, I co-founded 9 to 5, an organization that campaigned for equality at work. Dolly Parton’s outsize presence helped us win.
Jacob Elordi as Hig and Margaret Qualley as Cima sitting around a campfire in Ridley Scott’s “The Dog Stars.”
Adam Nayman
Ridley Scott’s The Dog Stars Is an Oddly Trad Fantasy
Jacob Elordi and Margaret Qualley are the oh-so-wholesome survivors of a global pandemic in Scott’s postapocalyptic blockbuster.
Natalie Weiner
Dolly Parton Never Wavered
Dolly Parton live at the Paramount Theatre in Oakland, California in 1977
Natalie Weiner
Dolly Parton Never Wavered
Books & the Arts
Magazine
A black and white photo of Jacques Derrida looking over his shoulder, photographed in Ris-Orangis, France, in 1988
The Case for Sticking With French Theory
Briallen Hopper
A black and white photo of Jacques Derrida looking over his shoulder, photographed in Ris-Orangis, France, in 1988
MagazineBriallen Hopper
The Case for Sticking With French Theory
Magazine
Did Howard Zinn Tell Too Simple a Story About American History?
Patrick Iber
MagazinePatrick Iber
Did Howard Zinn Tell Too Simple a Story About American History?
Magazine
An illustration of the activist Howard Zinn building the frame of a wall that resembles an American flag; with the square window frame using blue wood, and the wall frame using red wood.
Did Howard Zinn Tell Too Simple a Story About American History?
Patrick Iber
An illustration of the activist Howard Zinn building the frame of a wall that resembles an American flag; with the square window frame using blue wood, and the wall frame using red wood.
MagazinePatrick Iber
Did Howard Zinn Tell Too Simple a Story About American History?
Magazine
Adopt AI or Die?
Jacob Bacharach
MagazineJacob Bacharach
Adopt AI or Die?
Magazine
An illustration of a young man stands before a fork in the road that diverges into two possible consequential paths for the future of our species with technology: on the left, the road to AI hell and sci-fi dystopia; and on the right, the hopeful utopian future of AI abundance and global cooperation.
Adopt AI or Die?
Jacob Bacharach
An illustration of a young man stands before a fork in the road that diverges into two possible consequential paths for the future of our species with technology: on the left, the road to AI hell and sci-fi dystopia; and on the right, the hopeful utopian future of AI abundance and global cooperation.
MagazineJacob Bacharach
Adopt AI or Die?
A steamroller with the front roller depicted as a roll of $100 bills
MagazineTimothy Noah
Why Does the World Put Up With the Dollar?
The global economy depends on the U.S. dollar, even when the U.S. acts erratically.
An episodic image from the Camp Miasma movie showing actresses Gillian Anderson and Hannah Einbinder with blood on their clothes while standing in a grocery store aisle.
MagazineAdam Nayman
Jane Schoenbrun’s Love Letter to Teen Horror
Teenage Sex and Death at Camp Miasma is gently eerie and filled with longing.
  • BREAKING NEWS
  • POLITICS
  • CULTURE
  • MAGAZINE
  • THE TNR BLUE BOOK
  • PODCASTS
  • VIDEO
  • Events
  • Travel
  • Bookstore
  • Donate
  • Advertise
  • FAQ
  • Press
  • Jobs
  • Submissions
  • Subscribe to The New Republic
  • Sign Up for Our Newsletters
  • Accessibility Statement
  • Terms and Conditions
  • Privacy Policy
  • Copyright 2026 © The New Republic. All rights reserved.