Skip Navigation
Author

Anna Hiatt

All Articles
September 25, 2014
Anna Hiatt
If Obama Agrees the U.S. Is Causing Global Climate Change, Then Why Is He Letting Other Countries Foot the Bill?
September 19, 2014
Anna Hiatt
The Killer Fog That United Labor and Environmentalists
July 1, 2014
Anna Hiatt
The Unknown Master of Color Photography
Timeless images from one of the earliest experts
June 30, 2014
Anna Hiatt
Michael Jackson’s Personal Photographer Remembers How They Met
June 29, 2014
Anna Hiatt, Miles Kohrman
Chicago Is Officially the Most Soccer-Drunk City in America. (Which Is Saying Something.)
All respect to Kansas City, New York and LA, but the photos do not lie
June 26, 2014
Anna Hiatt
The Rise and Fall of Apartheid in Pictures
An exhibition in South Africa is attracting record-breaking crowds

Our Writers

Illustrated headshot of Kate Aronoff
Kate Aronoff
Climate & Energy
Illustrated headshot of Perry Bacon
Perry Bacon
Trumpism & Its Opponents
Illustrated headshot of Malcolm Ferguson
Malcolm Ferguson
Breaking News
Illustrated headshot of Matt Ford
Matt Ford
Law & the Courts
Illustrated headshot of Melissa Gira Grant
Melissa Gira Grant
LGBTQ Rights
Illustrated headshot of Heather Souvaine Horn
Heather Souvaine Horn
Climate Change
Illustrated headshot of Ellie Quinlan Houghtaling
Ellie Quinlan Houghtaling
Breaking News
Illustrated headshot of Jason Linkins
Jason Linkins
Power & Plutocracy
Illustrated headshot of Timothy Noah
Timothy Noah
Politics & Economy
Illustrated headshot of Edith Olmsted
Edith Olmsted
Breaking News
Illustrated headshot of Monica Potts
Monica Potts
Politics & Class
Illustrated headshot of Hafiz Rashid
Hafiz Rashid
Breaking News
Illustrated headshot of Greg Sargent
Greg Sargent
Politics & Democracy
Illustrated headshot of Grace Segers
Grace Segers
Congress & Elections
Illustrated headshot of Alex Shephard
Alex Shephard
Politics & Media
Illustrated headshot of Michael Tomasky
Michael Tomasky
Politics & Ideas
Three black-and-white mock-ups for The New Republic in its founding year, 1914, with bold serif typography symbolizing the magazine’s historical commitment to liberalism.
About The New Republic’s history