Skip Navigation
Leonard Bernstein
November 30, 2023
Andrew Marzoni
The Missing Love Story in Maestro
Bradley Cooper’s biopic never really captures Leonard Bernstein’s passion for music.
December 17, 2021
Timothy Noah
Why West Side Story Leaves Out African Americans
The new film is set in a now-bulldozed Black neighborhood, so why is it all about whites and Puerto Ricans? Because it really takes place—bear with me—in Los Angeles.
July 31, 2012
David Hajdu
Let’s Agree to Stop Singing ‘Hey Jude’
October 16, 2010
Stanley Kauffmann
Stanley Kauffmann on Films: Worlds of Difference
September 16, 2010
Leon Wieseltier
In the Know
June 3, 2010
John McWhorter
Is It Interesting to Criticize the Civil Rights Act? Down to Cases with Rand Paul and John Stossel
February 18, 2010
David Hajdu
Dylan at the White House
August 20, 2009
The New Republic Staff
Today at TNR (August 21, 2009)
October 28, 2002
Michael B. Oren
The Rescuer

Our Writers

Illustrated headshot of Kate Aronoff
Kate Aronoff
Climate & Energy
Illustrated headshot of Malcolm Ferguson
Malcolm Ferguson
Breaking News
Illustrated headshot of Matt Ford
Matt Ford
Law & The Courts
Illustrated headshot of Melissa Gira Grant
Melissa Gira Grant
LGBTQ Rights
Illustrated headshot of Heather Souvaine Horn
Heather Souvaine Horn
Climate Change
Illustrated headshot of Ellie Quinlan Houghtaling
Ellie Quinlan Houghtaling
Breaking News
Illustrated headshot of Jason Linkins
Jason Linkins
Power & Plutocracy
Illustrated headshot of Timothy Noah
Timothy Noah
Politics & Economy
Illustrated headshot of Edith Olmsted
Edith Olmsted
Breaking News
Illustrated headshot of Hafiz Rashid
Hafiz Rashid
Breaking News
Illustrated headshot of Greg Sargent
Greg Sargent
Politics & Democracy
Illustrated headshot of Grace Segers
Grace Segers
Congress & Elections
Illustrated headshot of Alex Shephard
Alex Shephard
Politics & Media
Illustrated headshot of Michael Tomasky
Michael Tomasky
Politics & Ideas
Three black-and-white mock-ups for The New Republic in its founding year, 1914, with bold serif typography symbolizing the magazine’s historical commitment to liberalism.
About The New Republic’s history