Andrew Marzoni

@andrewmarzoni

Annie Baker’s first film gives her characters plentiful epiphanies and an unwillingness to change.

Bradley Cooper’s biopic never really captures Leonard Bernstein’s passion for music.

Sofia Coppola’s Elvis is an insecure jock, a rudderless pretty boy with more charisma than talent.

In Ruben Östlund’s satire, the amusements of the moneyed elite belie a foundation of violence, cowardice, and shame.