Skip Navigation
United States
September 22, 2003
Spencer Ackerman, John B. Judis
The Operator
September 1, 2003
Jonathan Schanzer
Basket Catch
August 1, 2003
John B. Judis, Spencer Ackerman
28 Pages
July 7, 2003
Noam Scheiber
Overblown
July 7, 2003
The Player
July 7, 2003
Jed Perl
Saturnine Magician
July 7, 2003
Hudson Morgan
Shipping News
July 7, 2003
Robert Kagan
The Ungreat Washed
July 7, 2003
Eric Weiner
Pinball Wizards
July 7, 2003
Lawrence F. Kaplan
Split Personality
July 7, 2003
Peter Beinart
Be Unprepared
June 30, 2003
Spencer Ackerman, John B. Judis
The First Casualty
The selling of the Iraq war.
June 30, 2003
Jonathan Cohn
Sexual Healing
June 16, 2003
Rachel Van Dongen
The Right Man
June 9, 2003
Lawrence F. Kaplan
Iranamok
June 2, 2003
Jonathan Chait
Race to the Bottom
May 19, 2003
Ryan Lizza
Southern Exposure
May 5, 2003
Hassan Fattah
Victim Complex
May 5, 2003
Eli Lake
Split Decision
May 5, 2003
Peter Beinart
Free Form

Our Writers

Illustrated headshot of Kate Aronoff
Kate Aronoff
Climate & Energy
Illustrated headshot of Malcolm Ferguson
Malcolm Ferguson
Breaking News
Illustrated headshot of Matt Ford
Matt Ford
Law & The Courts
Illustrated headshot of Melissa Gira Grant
Melissa Gira Grant
LGBTQ Rights
Illustrated headshot of Heather Souvaine Horn
Heather Souvaine Horn
Climate Change
Illustrated headshot of Ellie Quinlan Houghtaling
Ellie Quinlan Houghtaling
Breaking News
Illustrated headshot of Jason Linkins
Jason Linkins
Power & Plutocracy
Illustrated headshot of Timothy Noah
Timothy Noah
Politics & Economy
Illustrated headshot of Edith Olmsted
Edith Olmsted
Breaking News
Illustrated headshot of Hafiz Rashid
Hafiz Rashid
Breaking News
Illustrated headshot of Greg Sargent
Greg Sargent
Politics & Democracy
Illustrated headshot of Grace Segers
Grace Segers
Congress & Elections
Illustrated headshot of Alex Shephard
Alex Shephard
Politics & Media
Illustrated headshot of Michael Tomasky
Michael Tomasky
Politics & Ideas
Three black-and-white mock-ups for The New Republic in its founding year, 1914, with bold serif typography symbolizing the magazine’s historical commitment to liberalism.
About The New Republic’s history