The sexual frankness of "The Graduate" is less revolutionary than its moral stance.

Michelangelo Antonioni’s ‘The Night.’

"Ikiru" is a film rooted in the most universal of truths, the one that cuts across all cultural barriers, all concepts of love, success, God: the fact of mortality.

The brilliance of Frank Lloyd Wright's Guggenheim Museum

A review of Charles Vidor's "A Farewell to Arms"

A review of David Lean's "The Bridge on the River Kwai"

To Emily Dickinson, little besides love, human and divine, was worth writing about, and often the two seemed to fuse.

March 18, 1925

It is simply a desire for self-expression, a thirst to function more broadly and brilliantly than the general, obscure in origin but irresistible in force.

A retrospective from 1916, ten years after the artist's death.