"Where’d You Go, Bernadette" is a travesty.

The latest in the heist series pays lip service to women's equality, but the gang can't quite get its message straight.

Through 13 roles and 13 manifestos, Blanchett and director Julian Rosefeldt examine the relationship between life, art, and politics.

One writer’s personal history with Highsmith’s forbidden love story—first as a young woman and then as a wife and mother.

Todd Haynes’s “Carol” mistakes aesthetics for meaning.

‘I’m Not There’ ignores the cost of Bob Dylan’s transformations