Skip Navigation
South Carolina
January 26, 2000
Jonathan Chait
This Man Is Not A Republican
May 24, 1999
David Grann
The Hero Myth
December 9, 1996
Jeffrey Rosen
The Bloods and the Crits
October 14, 1996
Jeffrey Rosen
Sex games
March 18, 1996
Jeffrey Rosen
Just a Quirk
February 14, 1994
Jeffrey Rosen
Boys and Girls
January 18, 1993
Jeffrey Rosen
The Leader of the Opposition
June 3, 1991
James Q. Wilson
The Government Gap
May 28, 1984
Henry Fairlie
The Decline of Oratory
January 1, 1970
John Osborne
"What Shall Become of His Dreams?"
December 30, 1968
Robert Coles, Harry Huge
Strom Thurmond Country
March 13, 1961
Gilbert A. Harrison
Setting Up the Scapegoat Who Will Be Blamed for Cuba?
July 5, 1954
Gus Tyler
The House of Un-Representatives
December 15, 1952
Theodore Sorensen
School Doors Swing Open
November 29, 1927
Edmund Wilson
Woodrow Wilson: Political Preacher

Our Writers

Illustrated headshot of Kate Aronoff
Kate Aronoff
Climate & Energy
Illustrated headshot of Malcolm Ferguson
Malcolm Ferguson
Breaking News
Illustrated headshot of Matt Ford
Matt Ford
Law & The Courts
Illustrated headshot of Melissa Gira Grant
Melissa Gira Grant
LGBTQ Rights
Illustrated headshot of Heather Souvaine Horn
Heather Souvaine Horn
Climate Change
Illustrated headshot of Ellie Quinlan Houghtaling
Ellie Quinlan Houghtaling
Breaking News
Illustrated headshot of Jason Linkins
Jason Linkins
Power & Plutocracy
Illustrated headshot of Timothy Noah
Timothy Noah
Politics & Economy
Illustrated headshot of Edith Olmsted
Edith Olmsted
Breaking News
Illustration of Monica Potts coming soon.
Monica Potts
Politics & Class
Illustrated headshot of Hafiz Rashid
Hafiz Rashid
Breaking News
Illustrated headshot of Greg Sargent
Greg Sargent
Politics & Democracy
Illustrated headshot of Grace Segers
Grace Segers
Congress & Elections
Illustrated headshot of Alex Shephard
Alex Shephard
Politics & Media
Illustrated headshot of Michael Tomasky
Michael Tomasky
Politics & Ideas
Three black-and-white mock-ups for The New Republic in its founding year, 1914, with bold serif typography symbolizing the magazine’s historical commitment to liberalism.
About The New Republic’s history