Skip Navigation
Bob Dole
May 6, 1996
David Grann
The New Newt
March 11, 1996
John B. Judis
White Squall
March 10, 1996
Michael Lewis
Crying Without Tears
March 4, 1996
Michael Lewis
Animal Farm
July 10, 1995
Richard Klein
The Power of Pets
June 19, 1995
Michael Lind
The Southern Coup
May 22, 1995
Fred Barnes
The Executive
May 22, 1995
Fred Barnes
The Executive
May 22, 1995
Fred Barnes
The Executive
May 8, 1995
Jeffrey Rosen
Affirmative Action: A Solution
March 27, 1995
Fred Barnes
King Newt
March 27, 1995
John B. Judis, Michael Lind
For a New Nationalism
October 17, 1994
Fred Barnes
Earthquake
March 7, 1988
MagazineHendrik Hertzberg
Dole’s Charm
The tension of Bob Dole is between an almost unfathomable bitterness, on (literally) the one hand, and a kind of rough wisdom touched by compassion, on the other.

Our Writers

Illustrated headshot of Kate Aronoff
Kate Aronoff
Climate & Energy
Illustrated headshot of Perry Bacon
Perry Bacon
Trumpism & Its Opponents
Illustrated headshot of Malcolm Ferguson
Malcolm Ferguson
Breaking News
Illustrated headshot of Matt Ford
Matt Ford
Law & the Courts
Illustrated headshot of Melissa Gira Grant
Melissa Gira Grant
LGBTQ Rights
Illustrated headshot of Heather Souvaine Horn
Heather Souvaine Horn
Climate Change
Illustrated headshot of Ellie Quinlan Houghtaling
Ellie Quinlan Houghtaling
Breaking News
Illustrated headshot of Jason Linkins
Jason Linkins
Power & Plutocracy
Illustrated headshot of Timothy Noah
Timothy Noah
Politics & Economy
Illustrated headshot of Edith Olmsted
Edith Olmsted
Breaking News
Illustrated headshot of Monica Potts
Monica Potts
Politics & Class
Illustrated headshot of Hafiz Rashid
Hafiz Rashid
Breaking News
Illustrated headshot of Greg Sargent
Greg Sargent
Politics & Democracy
Illustrated headshot of Grace Segers
Grace Segers
Congress & Elections
Illustrated headshot of Alex Shephard
Alex Shephard
Politics & Media
Illustrated headshot of Michael Tomasky
Michael Tomasky
Politics & Ideas
Three black-and-white mock-ups for The New Republic in its founding year, 1914, with bold serif typography symbolizing the magazine’s historical commitment to liberalism.
About The New Republic’s history