Thomson on Film: And the Oscar For Most Pointless Awards Show Goes To …

Thomson on Films: The Oedipal Complexity of Early Psychoanalysis

David Thomson on Films: Tinker, Tailor, Boredom, Why?

Frequency Hopping

TNR Film Classics: 'Miracle on 34th Street' (June 2, 1947)

David Thomson on Films: An Unsparing Portrait of American Breakdown

David Thomson on Films: Why Does This Movie Want Us to Feel So Miserable About Sex?

The Most Tender Tribute Marilyn Monroe Has Ever Received

The Good Wife

David Thomson on Films: A Mainstream Movie for People Tired of Noise and Violence

Stanley Kauffmann on Films: Rare Spirits

Thomson on Films: Clint Eastwood’s Disappointingly Cautious Depiction of J. Edgar Hoover

David Thomson on Films: ‘Page Eight,’ a Small Screen Movie That’s Nonetheless About Large Issues

Stanley Kauffmann on Films: Shade and Dazzle

Irresistible

Thomson on Films: ‘In Time,’ a Film That Can’t Deliver on Its Own Provocative Ideas

The Unexpected Hero

Thomson: ‘Homeland,’ a Clever, Confident, and Cruel New Show That Trades in Paranoia

How ‘Margin Call’ Gets It Right About the Financial Crisis

David Thomson on Films: A Road Film that Transcends Hippy v. Redneck Politics