Skip Navigation
United States
May 3, 2004
Michael Rubin
Exit Poll
May 3, 2004
Nathaniel Frank
Perverted
May 3, 2004
Martin Peretz
Anniversaries
May 3, 2004
Robert J. Samuelson
What the Boom Forgot
May 3, 2004
Robert Brustein
Reality Theater
May 3, 2004
Jeffrey Rosen
Yawn
On the gay marriage anti-climax
March 22, 2004
Janine Zacharia
Oppo Research
March 22, 2004
The Editors
Tough Shiite
March 8, 2004
Peter Scoblic
Indefensible
March 1, 2004
John R. Bradley
Bad Fences
February 16, 2004
Jason Zengerle
Talking Back
February 16, 2004
Devils in America
February 9, 2004
Stanley Kauffmann
Transmutations
February 9, 2004
Masha Gessen
See No Evil
February 9, 2004
The Editors
Notebook
February 9, 2004
Richard Wolin
Kant at Ground Zero
February 9, 2004
The Editors
Panic Room
February 9, 2004
Michael Crowley
Book Mark
February 2, 2004
MagazineOmer Bartov
He Meant What He Said
Did Hitlerism die with Hitler?
February 2, 2004
The New Republic Staff
Correspondence

Our Writers

Illustrated headshot of Kate Aronoff
Kate Aronoff
Climate & Energy
Illustrated headshot of Malcolm Ferguson
Malcolm Ferguson
Breaking News
Illustrated headshot of Matt Ford
Matt Ford
Law & The Courts
Illustrated headshot of Melissa Gira Grant
Melissa Gira Grant
LGBTQ Rights
Illustrated headshot of Heather Souvaine Horn
Heather Souvaine Horn
Climate Change
Illustrated headshot of Ellie Quinlan Houghtaling
Ellie Quinlan Houghtaling
Breaking News
Illustrated headshot of Jason Linkins
Jason Linkins
Power & Plutocracy
Illustrated headshot of Timothy Noah
Timothy Noah
Politics & Economy
Illustrated headshot of Edith Olmsted
Edith Olmsted
Breaking News
Illustrated headshot of Hafiz Rashid
Hafiz Rashid
Breaking News
Illustrated headshot of Greg Sargent
Greg Sargent
Politics & Democracy
Illustrated headshot of Grace Segers
Grace Segers
Congress & Elections
Illustrated headshot of Alex Shephard
Alex Shephard
Politics & Media
Illustrated headshot of Michael Tomasky
Michael Tomasky
Politics & Ideas
Three black-and-white mock-ups for The New Republic in its founding year, 1914, with bold serif typography symbolizing the magazine’s historical commitment to liberalism.
About The New Republic’s history