David Thomson

Thomson: The Futile Necessity of Revisiting an Old Love Affair

David Thomson on Films: ‘Girls’ is Great, But What Will Lena Dunham Do Next?

David Thomson on Films: How Johnny Depp and Tim Burton Became Shadows of Their Former Selves

David Thomson on Films: Happy Birthday to an American Icon We No Longer Deserve

David Thomson on Films: The Flirtatious Game-Playing of Classic Hollywood Romances

David Thomson on Films: How ‘The Godfather’ Was Diminished By Its State-of-the-Art Restoration

A Superb Movie That Shows How the Smallest Incidents Change Lives

David Thomson on Films: Lindsay Lohan’s Face and the Tolls of Celebrity

A Cinematic Revival of Britain’s Most Popular Mid-Century Playwright

David Thomson on Films: Why I Hate ‘The Hunger Games’

David Thomson on Films: Should Horses Be Sacrificed For Art?

Stalking Geoff Dyer

Thomson on Film: A Movie About a School Shooting That Ignores the Shooter

David Thomson on Films: What Ever Happened to Meg Ryan?

The Problem with Oscar Voters: They All Look The Same

David Thomson on Films: ‘The Artist’ Was Awful—and Other Reasons I’m Not Watching the Oscars

HBO’s New Show Has Good Credentials, But Is That Enough?

How Iran Produced the Best Film of 2011—and What Americans Can Learn From It

David Thomson on Films: A Requiem to an Unjustly Forgotten Filmmaker

The Ambiguous Future of 3D Movies