David Klion

@davidklion

All of the death and misery he left in his wake was a mere by-product of his single-minded pursuit of elite power.

It’s a portrayal so undignified that I almost expected ABBA’s “Waterloo” to play over the credits.

Scorsese’s film is a benchmark in how popular culture understands the American West and the Indigenous experience.

The biopic starring Helen Mirren shies away from the moral implications of Golda Meir’s decisions.

Christopher Nolan’s blockbuster captures the scientific triumphs and monstrous sins of the Manhattan Project.

The Netflix documentary about Arnold Schwarzenegger doesn’t know quite what to do with his disturbing rise in politics.

Tina Satter’s film “Reality” on HBO captures the cruelty of the surveillance state.

The show’s final episodes reject the cynicism and exhaustion of our moment.

“Andor” is a show about the moral choices adults are forced to make in a world of adult consequences.

Daniel Roher’s documentary on Alexei Navalny captures the spirit of opposition to Putin within Russia and the fate of its most prominent figure.

The hit TV show, in which Volodymyr Zelenskiy played a fictional president, is now streaming on Netflix.

Denis Villeneuve’s film makes the complex world of “Dune” comprehensible through stunning visuals.

Rather than focus on Bill Clinton or Monica Lewinsky, the show makes Linda Tripp the key to understanding the tangled and toxic politics of the late 1990s.

In over 150 hours of his podcast “Revolutions” and a new book, Duncan wrestles with centuries of upheaval.

Morgan Neville’s new documentary offers glimpses of a Bourdain we’ve never seen before—and captures the toll his work took on him.

I wanted to like “Renegades” on Spotify. What went wrong?

Is the magazine’s tradition of argument equal to the crises of the Trump era?

Showtime’s new miniseries attempts to salvage a lesson from an unmitigated disaster.

The Never Trumpers styled themselves as critics of the GOP. Instead, they built up power over liberals.

The new HBO show, adapted from Philip Roth’s novel, imagines life under a fascist president.