Tim Robinson and Zach Kanin’s new show is distinctly more surreal and uncanny than Severance.

John Mulaney’s new Netflix talk show is filled with ideas that are funny in theory but only barely work in practice.

One is a fictional politician who everyone hates. The other is a real politician who everyone hates. Can you tell them apart?

“The Day the Clown Cried” has a reputation for being the worst movie ever shot. When I saw it, I was surprised at what I found.

Harris’s laughter is transforming the presidential race. Guess who doesn’t find it funny?

Robert and Michelle King’s show fits an enormous story about the fallibility of humankind inside a network procedural.

A fundraiser in Los Angeles brought together classic environmentalists, Kennedy groupies, and new age hippies with a lot of money.

In the Hulu show, everyone is struggling to get by in a hostile city.

How silent cinema’s slapstick genius choreographed the age of viral video

Greg Gutfeld’s new Fox News “comedy” show is the latest evidence that conservatives have no sense of humor.

How safe spaces for transgressive humor, both online and in real life, helped breed a hateful ideology

In her new film, “Kajillionaire,” a family tries to slip free of capitalism.

In its second season, critics have rightly pointed out the hit show’s weaknesses. So why is it still so watchable?

British comedian Sacha Baron Cohen finds humor, outrage, and offense in the United States under Trump.

In her Netflix special, Hannah Gadsby quits the self-deprecating joke.

A conversation on A. O. Scott's "reassessment" of the filmmaker

"At Home With Amy Sedaris" brings unexpected tenderness to the trope of the perky lifestyle guru.

A new retrospective of Goldie Hawn’s movies shows just why she is one of a kind.

The second season of this brilliant British comedy presents a refreshing interrogation of normality.