Her novel Repetition is an attempt to live with the weight of the past.

Young Man in a Hurry: A Memoir of Discovery tries to recast a life of privilege in often baffling ways.

Margaret Anderson’s Little Review fought to bring the great works of modernist literature to the United States.

The generative AI series is tailored to a viewer with radically lowered expectations.

Cooperation between Russia and the United States boosted conservation—and a resurgence in nationalism chilled it again.

Fire in Every Direction recounts the uneasy coming of age of a queer scholar in the Palestinian diaspora.

The new movie smooths out the novel’s difficulties and plays fast and loose with its romantic elements.

Ted Geltner’s biography captures the comedy, violence, and gothic gruesomeness of Johnson’s imagination.

While the left is often able to excite large numbers to protest, it fails to harness that energy to build lasting political power.

Historian Richard Bell’s new book traces a global upheaval stretching from Philadelphia and London to Freetown and Madras.

Watching the most expensive documentary ever made while the American experiment falls to pieces.

The parallels between state censorship in China and the US are increasingly striking.

In Marisa Meltzer’s biography, Birkin is not primarily a muse. She is an artist who mixed glamor and humility, courage and vulnerability.

The spy show starring Tom Hiddleston is back. But now it feels like Slow Horses.

The show is physical and intimate, surprisingly quiet, and rarely looks beyond the two leads. Somehow it works.

Her very long memoir, Book of Lives, is packed with minute day-to-day detail—but is strangely quiet on a few big subjects.

The movie, starring Adam Driver and Cate Blanchett, probes a web of quietly intriguing family relationships.

The far north has long been a region of exceptional international cooperation. But Trump’s designs on Greenland come at a time of growing instability.

Bird by Bird encouraged would-be writers to blast past their hang-ups and embrace “shitty first drafts.” But there’s more to the creative process.

In A Star Is Born and Maestro, art tore through relationships. In Bradley Cooper’s new movie, it offers reconciliation.