'The Wolf of Wall Street': No Moralizing, Great Filmmaking

'The Selfish Giant': The Part of England Everyone Forgot

The Story Behind the Central Song in 'Inside Llewyn Davis'

'Saving Mr. Banks' Is a Two-Hour Disney Commercial

Remembering Peter O'Toole

The Coen Brothers' New Movie Might Be Their Most Boring

China Doesn't Want You to See This Year's Best Chinese Film

Cahiers du Reagan

Is Paolo Sorrentino Like Fellini? Even Better.

Why Didn't an American Make '12 Years a Slave'?

Alexander Payne Has Mastered the Midwest. Now He Must Move to the Big City.

Half a Century at the Movies

Stanley Kauffmann's Final Film Review

Matthew McConaughey Has Transformed From Texas Pretty Boy to Twisted Loner

Appalachia Used to Be Simply Scary. Now Its Hipness Is Frightening.

Naomi Watts Takes On the Insufferable Cult of Diana

Cormac McCarthy's Disastrous Hollywood Debut

Why Can't Critics Deal With Films About Slavery?

Is the Onion’s Film Criticism Better Than Its News Satire?

I Was a Character in The Fifth Estate—Here's What the Wikileaks Film Got Right and Wrong