The Amazon Prime show starring Rachel Weisz is oddly suspicious of new technology in reproductive health.

Hollywood writers are striking in part to preserve an endangered profession. The studios’ response? Quit whining.

In the new FX adaptation, Dickens’s England is crass, vulgar—and thoroughly tainted by Empire.

A growing array of shows hype up the feel-good drama of modern sports—while tuning out the controversy.

At the start of its third season, the show’s plucky underdog premise is wearing thin.

Adapted from a bestseller, “Daisy Jones” was premium intellectual property. The show never had to be good, just marketable.

The most satisfying—and most frustrating—features of HBO’s hit show are the future of TV.

“Andor” is a show about the moral choices adults are forced to make in a world of adult consequences.

Back for a fifth season, “Yellowstone” glorifies a rural rancher’s war against outsiders and developers.

In Amazon’s take on The Lord of the Rings, the hero is a fanatic, ceaselessly seeking out potential threats.

Over six episodes, “The Rehearsal” becomes a show not about helping people but about its creator’s anxieties and compulsions.

A new Jane Austen adaptation dares to ask: What if “Persuasion” took place not just in the early nineteenth century but at wine o’clock?

What the team behind the brilliant Showtime docuseries learned about relationships from their film about Anthony Weiner.

How movies about the political system fell in love with cynicism and messaging

The show’s new season with Natasha Lyonne at the helm is more honest, more experimental, and more reflective of its maker.

The Hulu series portrays the Theranos CEO as a visionary outcast—just as she saw herself.

Forget crypto. The currency that’s tanking right now is celebrity liberalism. Looking at you, Matt Damon, Reese Witherspoon, and LeBron James.

The new Netflix drama about fake heiress Anna Delvey has much in common with “Billions” and “Succession.”

The “Succession” actor’s autobiography is pleasingly horrible.

As Logan and Kendall go to war, it’s impossible to tell good intentions from cynicism and hypocrisy.