Nobel laureate Svetlana Alexievich crafts myths, not histories.

Can ‘E•MO•TION: Side B’ finally show the genius of an overlooked artist?

Why are rappers like Kanye West, Chance the Rapper, and Kendrick Lamar finding religion?

Jill Soloway's 'I Love Dick' puts female humiliation and fury at the center of a feminist classic.

Grierson & Leitch dismantle 2016's terrible summer of sequels, blockbusters, and would-be tentpoles.

Cuban science-fiction redefines the future in the ruins of a socialist utopia.

How perpetual ignorance shapes the never-ending war on terror.

How "Stranger Things" channels the female frustration of being disbelieved.

Werner Herzog's new documentary on the internet signals that it may be time for the director to get out of the way of his own films.

The 1988 Summer Games set the template for the “neurotic” model of economic development that has plagued Rio and other Olympic cities.

Based on a true story, this comedy from the director of ‘The Hangover’ isn’t daring enough to be truly outrageous.

Can Gay Talese make good art from bad deeds?

In his new documentary, the director turns his attention to the wonders of the internet.

The International Olympic Committee and its American media partners have failed miserably to bring the Games to where young people live.

Donald Trump's eerie likeness to Thomas Mann's Mussolini parable.