Denzel Washington delights as usual in an uneven thriller based on a classic Kurosawa film.

Will There Ever Be Another You is a lyrical, chaotic journal of holy and profane dispatches from our grief-soaked timeline.

The new TV series on FX trades in the brutal simplicity and narrative economy of the Alien​ franchise ​for something rangier and looser.

Daniela Catrileo explores Indigenous identity and the rural-urban divide from an intimate, feminist perspective in her newly translated novel, Chilco.

Journalist Rebecca Grant shifts the abortion conversation away from laws and morals to focus on access: getting people the care they seek.

A roving history makes the case for shade’s centrality to public health, climate adaptation, and even a more robust and inclusive public sphere.

Financiers have bamboozled the public for years about their expertise in “fixing” companies. Yet they often—and sometimes deliberately—run them into the ground.

The deliberate, delightful excesses of her new rom-com show on Netflix

How FDR invented national security, and why Democrats need to move on from it

Women’s basketball is bigger than it’s ever been on television, and the player’s association is taking advantage of the spotlight to tell a gripping story about labor.

Is MLM a massive scam or an all-American business tradition—or both?

The filmmaker’s follow-up to Past Lives is cerebral and frank about wealth and romance.

Charlottesville reaches into Virginia’s past to trace the currents that led to the violent neo-Nazi rally.

In Things in Nature Merely Grow, the Chinese-American author writes past grief’s clichés.

Tracing the leftist icon’s influence on the history of the United States

R. Crumb’s cartoons plumb the grotesque corners of the American unconscious.

CAMP, a Mumbai-based collaborative, makes use of cellphone videos, CCTV, and pirate radio, turning tech to subversive ends.

An investigative history of the scandal-plagued company shines a light on a health care industry riddled with corruption and criminality.

The new Apple TV+ show about a compromised movie executive is also, more subtly, an ode to a bygone era of prestige TV.

While Elon Musk paints federal bureaucrats as inefficient or worse, Lewis and other literary essayists shine a light on the quiet heroes of the civil service.