Everything Is Possible in Mary Poppins Returns
The new film conjures wonder in the face of grief and money troubles—despite its overly neat ending.
The new film conjures wonder in the face of grief and money troubles—despite its overly neat ending.
Alfonso Cuarón’s film magnificently portrays an overlooked life in 1970s Mexico City.
Two cases down under show how lower libel standards silence accusers and the press, while protecting the wealthy and powerful.
The streaming service desperately wants to win a Best Picture Oscar. But its foray into costly, artistic films is about more than just respect.
A new film from the director of ‘The Lives of Others’ strives for epic effect as it traces an artist’s development through the twentieth century.
"The Wife" exposes the inequality in a famous novelist’s marriage.
The company's business model was unsustainable, but that's not why it's struggling. Just ask Uber, Amazon, or Netflix.
Lakeith Stanfield stars as a rising telemarketing employee trapped between precarity and ruthless corporate forces.
Two new films reveal the ways their legacy has and hasn't changed.
The streaming service is producing more content than ever. The problem is that a lot of it is mediocre.
For years, viewers wrote to Law & Order: SVU’s Mariska Hargitay for help. Her new documentary highlights a scandal.
Through years of setbacks and discouragement, Kael insisted that movies should be free from stereotypes, unpretentious, and fun.
An interview with Ben Fritz, whose “The Big Picture” explores the way the franchise model and streaming services have disrupted the film industry.
Why is Armando Iannucci’s new film effectively banned in Russia?
The earnest, ironic stylings of Wes Anderson’s “Isle of Dogs”
The super-cheap theater subscription service has two million customers and counting, but it's unclear where it goes from here.
They're biased toward naturalism in movies, rather than bizarro versions of the real world.
Raoul Peck's new biopic of Marx and Engels in their salad days is a tedious shambles.
Natalie Portman journeys into an strange substance known as the Shimmer—and stumbles on a new understanding of the human heart.
FX’s “The Assassination of Gianni Versace” examines a lethal delusion.