How Lena Dunham Got Stuck In Her Twenties

In Jordan Peele’s “Nope,” Peril Is Inescapable

Netflix’s Persuasion Is a Uniquely Brilliant Flavor of Bad

Is Netflix Hollywood’s New Dinosaur?

In Happening, Unwanted Pregnancy Derails a Life

Washington Plays Itself

How Buster Keaton Revolutionized the Early Film Industry

Can Conservatives Make a Real Movie?

Hey, Larry David, Your Super Bowl Commercial Was Pretty, Pretty, Pretty Bad

Have Method Actors Gone Too Far?

The Rich Tapestry of Brian Cox

The Century of Buster Keaton

David Fincher and the Cinema of Doomscrolling

The Satisfying Dourness of Joel Coen’s The Tragedy of Macbeth

The Lost Daughter and C’mon C’mon Take on the Disorientation of Parenthood

Don’t Look Up Was Good for Climate Cinema, Even If You Hated It

Parallel Mothers Confronts the Legacies of Fascism

The Cinematic Sainthood of Diego Maradona

Licorice Pizza Is a Meandering Nostalgia Trip

The Souvenir: Part II Is a Lush Exploration of Filmmaking and Memory