Who Gets to Be a Nobel Prize Winner?
"The Wife" exposes the inequality in a famous novelist’s marriage.
"The Wife" exposes the inequality in a famous novelist’s marriage.
The company's business model was unsustainable, but that's not why it's struggling. Just ask Uber, Amazon, or Netflix.
Lakeith Stanfield stars as a rising telemarketing employee trapped between precarity and ruthless corporate forces.
Two new films reveal the ways their legacy has and hasn't changed.
The streaming service is producing more content than ever. The problem is that a lot of it is mediocre.
For years, viewers wrote to Law & Order: SVU’s Mariska Hargitay for help. Her new documentary highlights a scandal.
Through years of setbacks and discouragement, Kael insisted that movies should be free from stereotypes, unpretentious, and fun.
An interview with Ben Fritz, whose “The Big Picture” explores the way the franchise model and streaming services have disrupted the film industry.
Why is Armando Iannucci’s new film effectively banned in Russia?
The earnest, ironic stylings of Wes Anderson’s “Isle of Dogs”
The super-cheap theater subscription service has two million customers and counting, but it's unclear where it goes from here.
They're biased toward naturalism in movies, rather than bizarro versions of the real world.
Raoul Peck's new biopic of Marx and Engels in their salad days is a tedious shambles.
Natalie Portman journeys into an strange substance known as the Shimmer—and stumbles on a new understanding of the human heart.
FX’s “The Assassination of Gianni Versace” examines a lethal delusion.
Clint Eastwood’s latest stars a trio of Americans who foiled an attack on a train—playing themselves.
The superhero movie matches stunning special effects with vital political ideas.
Alex Ross Perry’s moody portrait of stifled creativity and tense relationships
The new movie builds on the myth that when Sarah Winchester built her Mystery House, she was overwhelmed by grief.
A conversation on A. O. Scott's "reassessment" of the filmmaker