Death to the Critic!
The new art-world satire 'Velvet Buzzsaw' is schlocky, fun, and flashy. But is its critique fair?
The new art-world satire 'Velvet Buzzsaw' is schlocky, fun, and flashy. But is its critique fair?
The festival's marketing agency also co-produced the film, resulting in a misleading version of who bears responsibility for the fraud.
Iranian director Asghar Farhadi's films are driven by subtle social dynamics. Can he preserve them in a new thriller?
A spoiler-free apologia for this season's worst-reviewed movie.
A new memoir by the legendary kung fu star reveals what it took to become one of Hong Kong’s greatest sons.
Two new movies reveal the strengths and weaknesses of the film industry's attempts to tackle America's addiction crisis.
The new film conjures wonder in the face of grief and money troubles—despite its overly neat ending.
Alfonso Cuarón’s film magnificently portrays an overlooked life in 1970s Mexico City.
Two cases down under show how lower libel standards silence accusers and the press, while protecting the wealthy and powerful.
Why is Hollywood so intent on using this period in British history as a blank canvas?
The streaming service desperately wants to win a Best Picture Oscar. But its foray into costly, artistic films is about more than just respect.
A new film from the director of ‘The Lives of Others’ strives for epic effect as it traces an artist’s development through the twentieth century.
Steve McQueen's crime caper is really a vehicle to explore grief, gender, race, and loneliness.
“If Beale Street Could Talk” indicts a world that makes love so difficult.
Yorgos Lanthimos's 'The Favourite' is a triumph in naturalistic filmmaking.
An anthology in six parts, the latest from the Coens features a singing horse, sweeping vistas, and a lot of death.
A new biopic of Marie Colvin raises questions about Hollywood's penchant for turning reporters into heroes.
What the new 'Halloween' says about the horror of white womanhood
The actor returns to form in "Mandy," a bloody grindhouse thriller that features him at his frenzied best.
A new film about Anders Breivik's 2011 mass killing in Norway is both a sweeping political parable and a blown opportunity.