A new documentary explores Robert Putnam’s life and work.

Luca Guadagnino’s film starring Zendaya specializes in violent and gorgeous emotional devastation.

Alex Garland’s film is a fascinatingly empty meditation on journalism and our political divides.

The night saw a jarring dissonance between political statement and glitzy showmanship.

Denis Villeneuve’s sequel captures the bleakness and the tragedy at the heart of Frank Herbert’s novel

Tran Anh Hung’s gourmet-themed drama celebrates the superficial and the sublime.

The filming of Edward Albee’s play with Elizabeth Taylor and Richard Burton was a feat of creative struggle.

Jonathan Glazer deliberately avoids the most familiar horrors of the Holocaust to show a further layer of inhumanity.

Here is The New Republic’s guide to the contenders for the 96th Academy Awards in 2024

Past and present overlap eerily in Andrew Haigh’s new film, starring Paul Mescal.

Tom Wolfe was no radical.

Todd Haynes took the story of a tabloid scandal and made it something much stranger.

Yorgos Lanthimos’s film, starring Emma Stone, is his least brutal, least original work to date.

For years, LBJ was reviled for Vietnam. Then the historical tables turned in his direction. But they turned a little too far.

Bradley Cooper’s biopic never really captures Leonard Bernstein’s passion for music.

It’s a portrayal so undignified that I almost expected ABBA’s “Waterloo” to play over the credits.

“The Holdovers” is a brilliant study of an all-boys school and the troubled men it produces.

Sofia Coppola’s Elvis is an insecure jock, a rudderless pretty boy with more charisma than talent.

Scorsese’s film is a benchmark in how popular culture understands the American West and the Indigenous experience.

The HBO docuseries follows recruits as they face hazing from their bosses, mistrust in the community, and a legacy of dispossession.