In the new film prequel to “The Sopranos,” fatally flawed fathers and deluded sons buckle under an enormous pressure to be men.

Playing Tadzio in Luchino Visconti’s film made Björn Andrésen a star at 15 years old. He spent the next 50 years struggling with the fallout.

In Clint Eastwood’s new film, an aging rodeo star lets go of his tough guy role.

TNR editor Michael Tomasky talks with the acclaimed filmmaker about his new project, airing Sunday on PBS.

Nia DaCosta’s reimagining of the cult classic explores the dangers of making art about pain.

Leos Carax’s movie is an idiosyncratic showcase for an unlikely, idiosyncratic star.

David Lowery’s movie, starring Dev Patel, cleverly unfolds the public consequences of private indiscretions.

“Enemies of the State” and “United States v. Reality Winner” explore profound questions of secrecy, whistleblowing, and justice.

The overwrought film from Michael Sarnoski contains a fundamental truth about a very sick industry.

The new LeBron James–Looney Tunes crossover movie isn’t just bad. It’s a harbinger of worse to come.

Morgan Neville’s new documentary offers glimpses of a Bourdain we’ve never seen before—and captures the toll his work took on him.

Deafness has become a hot subject in moviemaking, but one with a tense relationship to the world deaf people actually live in.

A new PBS documentary investigates the legacy of one of the most dangerous pollutants on the planet, an unsettling cover-up, and the exhausting fight for accountability.

Vera Farmiga and Patrick Wilson’s exorcisms offer the fantasy that somebody can halt the world’s sufferings.

Classic American movies “Some Like It Hot” and “Sunset Boulevard” emerged from the tumult and horror of interwar Germany.

Hollywood’s most compelling action star returns to the big screen in a rare movie about wildfire.

Luke Holland’s film “Final Account” makes a study of evasion, denial, and self-justification among living participants in Hitler’s Third Reich.

A changing culture lies at the heart of soccer’s existential crisis.

The conservative gadfly’s new film studio is a bid to monetize the battle against cancel culture.

While the Panthers have become a staple of pop culture, veteran members of the group remain invisible.