The latest in the heist series pays lip service to women's equality, but the gang can't quite get its message straight.

A new biopic continues a long tradition of obscuring the "Frankenstein" author's genius.

Ian McEwan’s tale of a honeymoon gone awry hits the big screen.

A roundtable discussion of "Avengers: Infinity War," the 19th installment in the Marvel Cinematic Universe.

Two new films reveal the ways their legacy has and hasn't changed.

"Disobedience" is an intimate, subtle examination of a tight-knit community, told through a lesbian love affair.

The streaming service is producing more content than ever. The problem is that a lot of it is mediocre.

"I Feel Pretty" is a comedy robbed of all its potential magic by its disappointing script.

For years, viewers wrote to Law & Order: SVU’s Mariska Hargitay for help. Her new documentary highlights a scandal.

"A Quiet Place" is a subtle exploration of film's aural component. It's also the best alien invasion horror flick in years.

Through years of setbacks and discouragement, Kael insisted that movies should be free from stereotypes, unpretentious, and fun.

An interview with Ben Fritz, whose “The Big Picture” explores the way the franchise model and streaming services have disrupted the film industry.

Why is Armando Iannucci’s new film effectively banned in Russia?

The earnest, ironic stylings of Wes Anderson’s “Isle of Dogs”

The reboot of the "Tomb Raider" franchise sheds the original movie's camp, but its main character is more recognizably human.

The super-cheap theater subscription service has two million customers and counting, but it's unclear where it goes from here.

They're biased toward naturalism in movies, rather than bizarro versions of the real world.

Ava DuVernay's adaptation of the children's classic dazzles, but feels a little empty.

On espionage, Russian stereotypes, and the impermeable coiffures of “Red Sparrow”

Raoul Peck's new biopic of Marx and Engels in their salad days is a tedious shambles.