Donald Trump is reportedly pressuring Paramount to revive the franchise.

George Clooney stars as a mega-celebrity who has sacrificed his family life for career success.

The new movie about Lorenz Hart evokes a hallowed showbiz past.

The Netflix movie, starring Jacob Elordi and Oscar Isaac, is lavish and meticulous—and strangely hollow.

Jeremy Allen White plays the Boss as a man haunted by the past and terrified of forming meaningful human connections.

Radu Jude pokes fun at AI-generated art by serving up a series of rewarmed variations on classic horror.

The rebels in Paul Thomas Anderson’s movie resemble the Weather Underground less than the right’s conspiratorial image of “antifa supersoldiers.”

Donald Trump warned some brand-new tariffs were on the way.

American movies are dying, but not in the way Trump imagines.

Someone close to Donald Trump planted the idea in his head that the United States should tariff foreign movies (whatever that means).

Two Dylan films—one very popular, the other quite obscure—stand out from the rest.

Donald Trump put on quite a performance with Ukrainian President Volodymyr Zelenskiy just days earlier.

The filmmaker, who died this week, mixed the menacing with the everyday, the banal with the surreal and sublime.

The biopic starring Timothée Chalamet is a star-is-born fable viewed with 20/20 hindsight and through rose-tinted glasses.

The symbolism in Brady Corbet’s movie is heavier-handed than a fistful of concrete and steel.

Jason Reitman’s movie is an ode to Lorne Michaels, afraid to take even small risks.

“The Day the Clown Cried” has a reputation for being the worst movie ever shot. When I saw it, I was surprised at what I found.

“Trap” is an escape-from-the-room thriller as well as a touching exploration of a father-daughter bond.

Nostalgia is Kevin Costner’s specialty, from hits like “Field of Dreams” to revanchist epics like “Horizon.”

Annie Baker’s first film gives her characters plentiful epiphanies and an unwillingness to change.