The streaming service is producing more content than ever. The problem is that a lot of it is mediocre.

Through years of setbacks and discouragement, Kael insisted that movies should be free from stereotypes, unpretentious, and fun.

An interview with Ben Fritz, whose “The Big Picture” explores the way the franchise model and streaming services have disrupted the film industry.

The super-cheap theater subscription service has two million customers and counting, but it's unclear where it goes from here.

Christopher Nolan's latest offering is high on patriotic schmaltz and low on meaningful commentary.

In this sequel to the zeitgeist-y 1996 original, nostalgia proves as addictive—and toxic—as heroin.

With this moody ghost story, Kristen Stewart continues to prove she’s a world-class actress who enthralls us by holding back.

Everyone’s favorite giant ape returns, trading fun for brand awareness.

Film critics Otis Ferguson and Stanley Kauffmann were noted for their innovative approaches to the form—and their contrarian opinions.

Yes, it’s that time again, already.

Wolverine is back, this time as a moody brooder with an unquenchable thirst for blood.

The insane ending of the 89th Academy Awards proved that when it comes to escapism, there's no business like show business.

Jordan Peele’s horror-comedy explores what lies behind the smiling faces of “good” white people—sometimes literally.