ICE Barbie Kristi Noem is reportedly considering taking a page from Donald Trump’s book and pivoting into reality TV.

The new Apple TV+ show about a compromised movie executive is also, more subtly, an ode to a bygone era of prestige TV.

If the hit miniseries about a 13-year-old murderer plays on adults’ anxiety about screens, it also evokes a deeper alarm about kids’ profound unknowability.

Donald Trump is just playing on anti-Palestinian prejudice. “Shara’a Simsim” did a lot of good—until a GOP congresswoman cut the funding.

The HBO show’s wealthy characters may be villainous, but that doesn’t make their lives any less alluring.

The AI-generated brutally mocks Donald Trump’s relationship with Elon Musk.

Some of this year’s TV felt distinctly deflated. But the very best shows took on the subject of disappointment itself.

Donald Trump allies are accusing Kamala Harris of breaking the law for the dumbest reason.

John D. Miller just published a mea culpa for his role in building Trump’s false image as a successful businessman and dealmaker—and urged readers to vote for Kamala Harris.

Donald Trump has always prioritized television ratings. The ones from Kamala Harris’s speech will sting.

Donald Trump is having a fit over the amount of attention Joe Biden is getting.

Donald Trump has revealed what’s really important to him.

When streamers “dump” whole seasons instead of releasing weekly, they strip away some of TV’s most reliable pleasures.

Larry David crafted a show about mortifying social encounters that somehow left us feeling comforted. 

Naomi Watts, Chloë Sevigny, Diane Lane, Calista Flockhart, and Demi Moore are the six best reasons to watch Ryan Murphy’s new show.

The Apple TV+ show starring Juliet Binoche wrestles with Coco Chanel’s work for the Nazis.

If the 2005 film relied on explosive star power, the new TV version works harder for its payoffs.

Many of this year’s most notable shows swam in a sea of raw trauma and psychic violence.

Shows like “All in the Family” sparked discussion and showed deep faith in the American project.

Mike Flanagan’s latest Netflix show is an exhausting mashup. Even worse, it’s not scary.