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The New Republic
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Culture
August 9, 2016
Tim Grierson
,
Will Leitch
Grierson & Leitch Episode 29:
Suicide Squad
Will Rot Your Soul
August 9, 2016
Will Leitch
Pete’s Dragon
: A Heartfelt Film, Empty At the Core
This Disney remake is better than it ought to be—but should it even have been made in the first place?
August 9, 2016
Stefano Balietti
Science Is Suffering Because of Peer Review’s Big Problems
How to reform the journal publication process.
August 9, 2016
Clancy Martin
My Father, The Weightlifter
Eight writers on the meaning of Olympic sports. Part 3: Weightlifting
August 9, 2016
Charlotte Shane
Ballet for Horses
Eight writers on the meaning of Olympic sports. Part 2: Dressage.
August 9, 2016
Laura Goode
In
Equity
, Women’s Greed is Good
An interview with the film’s director and screenwriter about female ambition, Wall Street, and Hillary Clinton.
August 8, 2016
Kristen Barber
The Gentrification of the Barbershop
A sociologist on the race, class, and gender dynamics of the “men’s salon."
August 8, 2016
Anna Wiener
Ping Pong, Silicon Valley’s Favorite Sport
Eight writers on the meaning of Olympic sports. Part 1: Ping Pong.
August 8, 2016
Jesse McCarthy
Visible Men
Mychal Denzel Smith's memoir reckons with racial injustice, and tells the story of his political education.
August 5, 2016
Tim Grierson
Little Men
: When Nobody’s the Bad Guy, Everybody Is
In the latest film from Ira Sachs, a rent dispute between well-meaning people exposes their inability to be decent to one another.
August 5, 2016
Dev Saif Gangjee
How the IOC Ruthlessly Protects the Olympics Brand
August 5, 2016
Sarah Marshall
The Last Perfect Gymnast
How Olympic gymnastics beat score inflation and became a sport.
August 5, 2016
Mary Wang
Bad Moms
: Clique Bait for the Parent Set
‘Bad Moms’ isn’t about motherhood, the experience—it’s about motherhood, the social clique.
August 3, 2016
Will Leitch
Suicide Squad
: Unleash Hell, Don’t Ask Questions
With too many characters, and little to justify their existence, the DC Universe is an ever-expanding world of senseless, plotless mayhem.
August 3, 2016
Malcolm Harris
China Miéville’s Surrealist World War II
In 'The Last Days of New Paris' avant-garde artists fight the Nazis.
August 3, 2016
William Giraldi
Cynthia Ozick’s Critical Mass
For more than thirty years, Ozick has led the way in affirming the role and responsibility of the critic.
August 2, 2016
Brit Bennett
Ripping the Veil
Slave narratives have always been popular—and predictable. Can a new generation rewrite the rules?
August 2, 2016
Alex Shephard
Colson Whitehead’s
The Underground Railroad
is going to be huge.
August 2, 2016
Fernando Lara
The Cost of Rio’s Construction Frenzy
August 2, 2016
Tom A. Peter
Finally, a Realistic Iraq War Novel
Roy Scranton's 'War Porn' bucks the trends of recent fiction about soldiers.
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