The new Netflix drama about fake heiress Anna Delvey has much in common with “Billions” and “Succession.”

A titan of publishing, Jason Epstein died at 93 last week. He left a galvanizing vision for the book business.

It is tempting to harness “Civilization and Its Discontents” as a guide to our contemporary political morass, but doing so may obscure its most valuable message.

Lea Ypi’s memoir recounts Albania’s troubled transition to democracy.

His identity was long unknown—until the FBI arrested him earlier this year. Now everyone in the publishing industry is asking, What motivated him?

Some actors go to extremes to get into character. It wasn’t meant to be that way.

“To Paradise” shows little interest in the big questions it asks.

“Fear and Loathing in Las Vegas” was the culmination of a process that started six years earlier. Here’s how gonzo was conjured to life.

The “Succession” actor’s autobiography is pleasingly horrible.

Neil Young’s threat to pull his catalog is only the latest predictable consequence of spending $100 million on the popular, controversial podcaster.

Is it possible to separate the celebrated novelist from the disgraced writer of fascist polemics?

How silent cinema’s slapstick genius choreographed the age of viral video

Journalist Christopher Leonard’s new book, “The Lords of Easy Money,” follows the unintended consequences of quantitative easing.

A conversation with Adam Nayman about the filmmaker’s style and obsessions

Denzel Washington and Frances McDormand star as grown-up versions of the Macbeths, with dangerous ambitions and onerous responsibilities.

After disasters in 2018 and 2019, Boeing faced intense public pressure. Then the pandemic hit.

What turned Smedley Butler into a critic of American foreign policy?

Two new movies address the impossible, ordinary, maddening task of keeping both yourself and a child alive.

Why do the Transcendentalists still have an outsize influence on American culture?

Junior staffers at Penguin Random House scoff at the idea that one of their own was powerful enough to derail a new collection of the author’s work.