A Series of Selves
How Virginia Woolf’s diaries chronicle the push and pull of her private and public lives.
How Virginia Woolf’s diaries chronicle the push and pull of her private and public lives.
Criticized as cruel and self-centered, V.S. Naipaul insisted on confronting the hard realities of post-colonial life.
How did literary scholarship take a leftward turn during the 1970s, when neoliberalism and austerity were ascendant?
The prize has undergone a distinct change in recent years, opting for best-selling writers and rock stars.
How Angela Carter escaped a puritanical childhood and stifling marriage, and reimagined sexuality.
Sarah Manguso's aphorisms feel powerful in our age of alternative facts.
Money taints everything, why not writing too?
Not Bob Dylan, that's for sure.
What Lionel Shriver got right—and wrong—in her controversial speech about political correctness in literature.
Nobel laureate Svetlana Alexievich crafts myths, not histories.
Donald Trump's eerie likeness to Thomas Mann's Mussolini parable.
For more than thirty years, Ozick has led the way in affirming the role and responsibility of the critic.
Lit Hub's new ratings site exposes the flaws in the wider culture.
Before the word processor, perfect copy was the domain of the typist—not the literary genius.
President Htin Kyaw is hardly the only bookish official in the country.
Black intellectuals expressed solidarity with the Easter Rising revolt against British rule.
For writers, socioeconomic class is still hard to talk about.
Marlon James's recent comments on white women as literary gatekeepers are misguided.
If Bob Dylan wins, I will eat my copy of "Blood on the Tracks"
Women and the clichés of the literary drunkard.