The Netflix show with Gwyneth Paltrow conjures a fantasy of living without friction or anguish.

A new study breaks down the ubiquitous television cop drama and America's strange obsession with police.

Paolo Sorrentino’s new HBO show plays a variation on the decadence of “The Young Pope.”

The Netflix show’s third season is a wonder of restraint.

The reality show’s new season requires complete immersion.

The Netflix show portrays the awkward dance between ceremony and democracy.

The Amazon show is a plea to set democracy aside and let national security experts run the world.

A new documentary trains a lens on the abuses and lies of legendary yogi Bikram Choudhury.

It would be easy to make fun of “Dickinson.” But the new Apple TV+ show is stranger and more charming than it has any right to be.

His new book and “His Dark Materials” on HBO dramatize the difficulty of moral action.

Kathryn Hahn plays a different kind of empty-nester in HBO's newest offering.

A beloved 'New York Times' column becomes a whole new kind of content.

The new Netflix movie sets Timothée Chalamet and Robert Pattinson on two gloriously, absurdly different paths.

Why the best show about power in the Trump era is not a show about politicians.

Ryan Murphy’s show about a super-elite high-school election could have made brilliant, cultish television.

Twenty-five years after the show first aired, its popularity remains as strong—and confounding—as ever.

The HBO show is a study in the corrosive nature of extreme wealth.

“On Becoming a God in Central Florida” brilliantly depicts an economy based on scams.

An Afghanistan veteran reckons with growing up on G.I. Joe and growing tired of American war drums.

The HBO show’s second season feels bleaker and is harder on its characters.