Three new makeover shows hover on the border of entertainment and economic survivalism.

As the groundbreaking show celebrates its 20th anniversary, prestige TV has never been more ubiquitous—or insipid. What happened?

Season three of the time-jumping, philosophically inclined series repeats season one's tricks, but gets a boost from its new leading man.

Two of the most flawed characters on television plan a wedding.

In its second season, critics have rightly pointed out the hit show’s weaknesses. So why is it still so watchable?

“1983” imagines a terrifying alternate reality, but ignores the real dangers that Poland faces today.

How Blair Foster’s documentary “The Clinton Affair” reassesses history in the wake of the MeToo movement

What lies beneath the sleek stylings of dystopian shows like "Homecoming"

The show’s focus on two captivating women makes its second season worth watching.

The show based on Shirley Jackson’s novel ultimately shies away from the book’s raw horror.

'Bodyguard' is an emotional rollercoaster of trauma and terror.

Matthew Weiner’s new show had the potential to reckon with the uses and abuses of the past.

Jonah Hill and Emma Stone star in a radical new Netflix series about madness, friendship, and the stories we tell ourselves to live.

The show's third season illuminates the hard work of living a better life.

The true crime mockumentary’s second season sharply depicts a world of intensive reputation management.

The Netflix show's new season is a darkly funny reckoning with grief.

HBO's new take on Arthur Conan Doyle's detective sees two young women solving crimes in present-day Japan.

How a frothy new Netflix movie reinvigorates the high-school rom-com genre

How the show’s new season skewers the book world

In each episode of Netflix's "I Am A Killer," a man on death row describes his crime. But for what purpose?